Wednesday, 22 October 2014

Something I deleted but should never have deleted.

MONDAY, 16 JANUARY 2012

I'm still at Art School. Sometimes I wonder how it is possible - there have been many times when I have seriously considered giving up. We got given some grades on the first day of the new term. I can't help take umbrage with some of the grading as I feel, some people who have been given distinctions are producing gash. It is contentious to say this. To admit it to students, teachers and here on my blog probably won't make me any friends, but what are we meant to draw from it? There are students who struggle away, genuinely going through inner turmoil through the term trying to find the right medium and trying to marry their physical creations with their ultimate message. There are some that seem to be charlatans. Barely turning up or appearing to struggle in any way, who come out smelling of roses. There is also the question of taste. Some of what is being produced and graded well, seems awful to me. Cliche ridden and unoriginal. And some seem to be doing exactly what they were doing last year... and still doing really well!

Having initially got upset last week, I have 'squared' it this weekend. Some of the work I think should have done better is more complex than the rest, dealing with issues such as political activism in China.. or memories of a conflicted childhood. But complexity is not a bad quality. Surely, in the long run it will serve you better than work which is more transparent?

The tutors feel we should not 'worry' about the grades we get.. how unlikely is that?
 

Have decided from here on in to do work I enjoy making, and get pleasure from this making, and ignore everything outside of that... trying to 'look good' to the tutors (i.e. making sure you're always in, and always working), trying to keep avid diaries on your processes (no one reads them anyway). May as well just be completely selfish about it. Afterall, when you're paying £2,500 a year to be there, the least you can do, is allow yourself to enjoy the experience. Screw the grading criteria.

Monday, 25 February 2013

When one blog closes...

I'm not going to update this blog anymore. I'm moving to a new shiny blog to mark my move from college to fully qualified bona fide artist. You can now find me here

*link removed*

I will leave this blog to gather dust on the shelves of the world wide web. A footprint in the virtual sand.

Saturday, 22 September 2012

New exhibition

I am totally on the look out for somewhere to show my paintings. I recently saw Joe Webster's work at Boston Tea Party in Exeter, and it inspired me to try and get some of my languishing work back up on walls. Its not gonna sell wrapped in plastic leant up behind the tv. I've inquired at Boston. If anyone actually reads this, and can think of somewhere else locally that needs a few lively, beautiful images on the walls, please let me know. Cheers! :)

Thursday, 13 September 2012

Hugh M. Davies


As part of my dissertation research I have come across a book on installation art, with an introduction by Hugh M. Davies, Director of the Museum of Contemporary Art, San Diego. It makes many ingenious points - chiefly that ambitious 3 dimensional art is actually a return to the first kind of art - cave paintings. He also says it is a travesty that while 2 d work sells, the bigger stuff struggles, but that is where the real experiments are taking place. Sorry painters! ;) I really recommend the book - 'Blurring The Boundaries'. Here's one of my favourite quotes: 'Whatever aesthetic bounty experimental artists bag rarely translates into trophy art to hang above the mantel that is likely to turn a tidy profit. "We got in on the Schnabel thing early, snagged a player piece for nothing before the Boone happened, Hung on until the Whitney begged for it, and then turned a tidy profit on the appreciation when the tax window opened. Julian's delighted and so are we. Nifty, this art business." As opposed to... "Gee honey, what would we ever want with an earthwork?, we don't even use the swimming pool."

Sunday, 26 August 2012

May Installation

I never really posted any images off of May. I was very proud of what I produced in the end, an installation I'm calling Legacy. It's very personal in subject matter. I hope it will take on another life in a different exhibition. I entered Exeter Contemporary Open for the first time this year. I may also enter the Wells Contemporary Open, which closes in a few weeks, note to self. I think this work deserves another outing. It's top drawer. All puns intended and copyright of the artist.